Original Name:The Lost Coast Tapes (2012)
Genre: Horror | Mystery | Thriller
Language: English
IMDB Rating: 4.4
Release Date: 2012 (USA)
Director: Corey Grant
Writers: Brian Kelsey, Bryan O’Cain
Stars: Drew Rausch, Rich McDonald, Ashley Wood
Genre: Horror | Mystery | Thriller
Language: English
IMDB Rating: 4.4
Release Date: 2012 (USA)
Director: Corey Grant
Writers: Brian Kelsey, Bryan O’Cain
Stars: Drew Rausch, Rich McDonald, Ashley Wood
Movie Review
The moment response to Bigfoot: The Lost Coast Tapes is to conjure the examplary Seth Myers/Amy Poehler normal on Saturday Night Live. Truly? Another artificial discovered footage blood and guts film? Opening on the same day so far another one, Paranormal Activity 4? Truly?
Yes, shockingly, truly. Yet while the fourth portion of Paramount’s gigantically efficacious establishment will undoubtedly pull in more than enough prehalloween business, this presentation characteristic by Corey Grant –opening in a couple of urban communities on the West Coast before a November home-movie discharge –enrolls as a particularly minor section in an extremely exhausted class.
As the title proposes, it spins around the quest for a Sasquatch led by a ragtag assembly comprising of a disrespected columnist (Drew Rausch) looking to parlay the encounter into an actuality TV progression; his new agey ex (Ashley Wood); a distrustful picture taker (Rich McDonald); and a stereotypically Jewish sound man (Noah Weisberg) time after time utilized for entertaining factor.
Controlling them in their misfortunes in the northern California woods is a grizzled backwoodsman (Frank Ashmore) who appears more startling than any negligible Bigfoot could be.
Other than a diverting self-referential early scene in which the writer attempts to influence an African-American soundman to go hand in hand with him, just to get an address about the foreseeable destiny of dark men with sickening apprehension pictures, Bryan O’Cain and Brian Kelsey’s screenplay sticks to the run of the mill class prosaisms. As does chief Grant, who pulls the by-now superficial tricks in the herky-jerky handheld footage style that instantly got tired through the unending parade of Blair Witch Project thump offs.
Never remotely startling or persuading, the processes likewise fail to offer the blood vital to please in-your-face ghastliness buffs, and a climactic plot curve including the genuine characters of the things that go knock in the night is so over the top that it makes the being of Bigfoot appear sound by observation.
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تنبيه : المرجوا عدم نسخ الموضوع بدون ذكر مصدره المرفق بالرابط المباشر للموضوع الأصلي وإسم المدونة وشكرا
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